| Searching Current Courses For Fall 2016 |
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Course: |
THE 265
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Title: | Theatre: Live Audioengineering |
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Long Title: | Theatre: Live Audio Engineering |
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Course Description: | Covers the basics of audio engineering in live theatre. The student explores and applies basic audio concepts, the operation and interconnection of sound systems, signal processing, and live sound recording. |
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Min Credit: | 3 |
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Max Credit: | |
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Course Notes: | NCE 5.26.15. JLG |
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Origin Notes: | RRCC |
STANDARD COMPETENCIES
1. Identify and explain the basics of sound and hearing.
2. Define audio measurement terms and concepts.
3. Identify and explain fundamental concepts of theatrical sound reinforcement systems.
4. Analyze microphone (both wired and wireless) principles and demonstrate practical applications.
5. Classify signal processor fundamentals and demonstrate practical applications.
6. Summarize analog and digital sound mixer fundamentals and demonstrate practical applications.
7. Summarize amplifier and loudspeaker fundamentals and demonstrate practical applications.
8. Summarize monitor system fundamentals and demonstrate practical applications.
9. Identify and design sound system configuration, wiring, and layout, while incorporating artistic principles with a production team.
10. Analyze and solve theatrical sound reinforcement acoustic problems.
11. Classify and demonstrate the duties of sound operators in theatrical venues.
12. Demonstrate knowledge of sound cue playback software packages used in theatrical performances.
13. Explain theatrical networking protocols and demonstrate applications.
TOPICAL OUTLINE
I. Fundamentals of sound and hearing
a. propagation of sound
b. harmonics
c. wave forms
d. octaves
e. hearing loss
II. Audio measurement concepts
a. decibel
b. reference levels
c. acoustic power
d. sound pressure levels
III. Theatrical sound reinforcement fundamental concepts
a. acoustics and components of the sound system
b. vocal vs. music reinforcement
IV. Wireless microphone
a. design and setup
b. troubleshooting
V. Processors
a. signal
b. dynamic
c. equalizers
d. effects
e. reverberation
VI. Amplifier and loudspeaker principles
a. power considerations
b. powered and non-powered cabinets
VII. Monitor system principles in theatrical performance
VIII. System configuration and layout
a. mixer placement
b. speaker placement
c. microphone placement
d. interconnect issues
e. wireless microphone use
f. maintenance
IX. Duties of the sound operator and designer in theatre
a. A1 and A2
b. setup
c. sound check
d. communicating with performers
e. creating the mix
f. running the show
g. following a script
h. tear-down
X. Design, programming, and usage of sound cue playback equipment for theatre performances
XI. Interfacing audio, video, lighting, and scenic elements in MIDI, show control, DMX, and Ethernet networks
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