| | Searching Current Courses For Fall 2016 |
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Course: |
FVM 248
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Title: | Post Production Sound |
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Long Title: | Post Production Sound |
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Course Description: | The Post Production Sound course continues instruction on the theories and technical aspects of editing, mixing, mastering, and audio synchronization to video and film. Students will evaluate footage acquired on location and work with digital audio workstations to fix problems and create "clean" dialogue and location sounds. The student will be introduced to Automatic Dialogue Replacement and recording audio for video sync. Students will continue to learn to synthesize audio elements (dialogue, music and effects) with the visual elements of the story to enhance the emotional impact of a piece. Students will also continue to explore audio sweetening techniques, musical compositions and Foley. |
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Min Credit: | 3 |
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Max Credit: | |
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Course Notes: | Previously FVT 248 |
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Origin Notes: | CCA |
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Status Notes: | Revisions made 10/27/09 s@ |
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Assess and apply necessary stages for audio post production processes (A,B,C,D,E,F)
A. Analyze a script for audio post production
B. Break down script into sound departments of expertise
C. Demonstrate skills of organization to save on budget and time
D. Produce 3 projects based on selected videos and/or scripts
E. Show a competency of synchronization with software and hardware
F. Apply post production skills using software and hardware
a. Utilization and mastery of appropriate equipment
b. Working with actors/talent and crew personnel
c. Prioritizing time and effort to maximize production value
d. Identify technical issues/problems
e. Inventory project needs
f. Define artistic and technical perspectives for the audio applied
g. Apply listening skills learned in demonstrations
h. Edit and Mix audio using digital audio workstations
1) Synchronization
a. Time code
b. ADR
c. Foley
2) Editing
a. Music editing
b. Dialog Editing
c. Sound Design
d. Editing creatively
3) Cleaning
a. Noise reduction
b. Hum removal
c. ADR
d. Foley
e. Masking
4) Designing Sound
a. Sound design
b. SFX
c. Wild production recording
d. Characterization
e. Sampling
5) Creative application and characterization
a. Emotion
b. Recognition
c. Definition
d. Quoting or Re-enforcing
e. Heart pounding, jaw dropping, seat jumping, and tear jerking emphasis.
f. Realism or Surrealism
6) Mixing
a. Format of final playback
b. Application of direction, creativity and design
c. Significance of importance to the story
d. Technical application of skill set
e. Hardware and software
f. Mono, Stereo, Surround
7) Mastering to desired format(s)
a. The process of getting audio to its final form.
b. Film, Video, Multimedia, Broadcast, Data Storage - differences
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Community College of Aurora |
CCA |
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