| | Searching Current Courses For Fall 2016 |
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Course: |
FVM 220
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Title: | 16mm/HD Production |
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Long Title: | 16mm/HD Production |
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Course Description: | Students pitch scripts to class and instructor for selection as 16mm projects, then crew and produce them. Emphasis will be placed on
student¿s ability to tell a compelling story visually, including
familiarity with the continuity style of the contemporary movie and a
heightened awareness of composition and traditional three-dimensional
design, while remaining open to and aware of more avant-garde and
experimental forms and approaches. |
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Min Credit: | 3 |
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Max Credit: | |
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Course Notes: | Previously FVT 220 |
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Origin Notes: | CCA |
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Status Notes: | Revisions made 10/26/09 s@ |
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I. Appraise and participate in professional pre-production processes (A,B,C,D,E,F)
1.
Break down a script
2.
Storyboard on computer
3.
Work with others
4.
Schedule time and resources
II. Criticize and participate in professional production processes (A,B,C,F)
1.
Understand Crew Responsibilities
2.
Work with other members of the crew
3.
Contribute to film productions within departments
4.
Assess equipment and procedural needs for different kinds of productions
5.
Operate cameras, lights, audio recorders, microphones, etc.
II. Apply or aid directorial vision in its realization (A,B,C)
1.
Accept instruction/tasking and carry it out
2.
Understand film crew etiquette/command structure
3.
Determine directorial responsibilities
4.
Develop directorial vision and management skills
I. Reproduction
1.
Script preparation
a.
The screenplay
b.
The shooting script
c.
The storyboard
d.
Script breakdown
e.
Production boards
f.
Pickup days
g.
Covers
2.
Personnel
a.
Production manager
b.
Location scout
c.
Transport manager
d.
Production accountant
e. Unit & location managers
f.
Pa¿s
II.
Production
a.
The Budget
i.
Below the line costs
ii.
Above the line costs
iii.
Budget preparation
iv.
Reproduction unit costs
v.
Crew costs
vi.
Cast costs
vii.
Are department
viii.
Equipment
ix.
Location/transport/catering
x.
Stock, lab, video transfers
xi.
Post production
xii.
Travel/hotel and accommodation
xiii.
Publicity/screenings
xiv.
Legal, accounting, insurance
xv.
Contingency
xvi.
Producer¿s fee
b.
Budget analysis
i.
Format
ii.
Length
iii.
Shooting ratio
iv.
Production scheduling
v.
Second unit
vi.
Post production
vii.
Story rights and writing
viii.
Summary and full budget
ix.
Producer and staff
x.
Talent
xi.
Crew ¿ overtime and buyout
xii.
Location expenses
xiii.
Studio
xiv.
Raw stock
xv.
Titles and optical
xvi.
Sound and music
xvii.
Contingency
3.
Shooting
a.
Crew positions
1.
Roles
2.
Performance evaluation
3.
Pecking order
4.
Crew size
b.
Project types
1.
Feature film
2.
Commercial
3.
Music video
4.
Documentary
4.
Directing
a.
Reproduction duties
1.
W/ writer, art director, DP¿s
2.
Rehearsals
b.
Production duties
1.
Walk throughs
2.
Blocking
3.
Shooting
4.
The schedule
c.
Conceptual film directing
1.
Language of film
2.
Iconic, syntactical and symbolic signifiers
3.
Working with actors
5.
Putting theory to practice
a.
Working as crew
b.
Working in different crew positions
c.
Finding a specialty
d.
Professionalism
e.
Professional/personal interaction
| |
Community College of Aurora |
CCA |
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