| Searching Current Courses For Fall 2016 |
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Course: |
FVM 200
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Title: | Video Production II |
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Long Title: | Video Production II |
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Course Description: | Engages students in more advanced productions, helping them to develop
and demonstrate a mastery of the many skills necessary to make effective
and successful films. Translates knowledge, methods and concepts
developed in previous courses, into a creative, problem solving
learn-by-doing filmmaking experience. |
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Min Credit: | 3 |
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Max Credit: | |
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Course Notes: | Previously FVT 200 |
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Origin Notes: | CCA |
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Status Notes: | Revisions made 10/23/09 s@ |
Create and justify a film/video project (A)
A. Original or scene study
B. Documentary or fictional
C. Have a reasonable basis for the project idea
D. Design a realizable film/video for a term project
II. Produce a professional quality project to industry standards (A,B,C,D,E,F)
A. Break down the project according to shot list/storyboards
B. Budget the project
C. Schedule the project according to industry standard methods
D. Cast the project with professional actors
E. Organize the project shoot according to equipment needs and availability
F. Choose a crew
G. Dramatize the project
H. Choose film or video as the acquisition format
I. Create the film/video footage (principal photography)
J. Arrive at a final project (editing)
K. Assess their own performance at all phases of the project
L. Communicate their ideas to actors and crew and class
M. Effectively communicate their narrative/ideas to an audience through film/video means
N. Exhibit professional mastery of the production process
I. Student presentation of project to class
A. Script format
B. Storyboard
C. Casting needs
D. Budgetary needs
E. Scheduling needs
F. Crew needs
G. Equipment needs
H. Timeline
I.
II. Student critique of other student presentations
A. Professionalism of presentation
B. Level of preparedness
C. Is it compelling?
III. Preproduction
A. Computer-based storyboarding
B. Script revisions
C. Computer-based scheduling
D. Computer-based budgeting
E. Casting
F. Crewing out (DB, PM, etc.)
G. Finalizing format (film or video)
H. Location Scouting
I. Location contracts/releases
J. Rehearsal
IV.
Production
A. Directing actors
B. Running the crew
C. Interaction with key personnel (DP, PM/AD)
D. Staying on schedule
V. Evaluation
A. Viewing dailies
B. Assessing quality
C. Scheduling re-shoots
D. Planning post-production
E. Finishing post-production
VI.
Marketing
A.
Distribution (theatrical, broadcast, festivals, etc.)
|
Community College of Aurora |
CCA |
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